Entertainment

‘Ragtime’ is still resonating with audiences 30 years since its Broadway debut

June 7, 2026 4:22 pm

[Source: AP]

It’s been nearly 30 years since Stephen Flaherty and Lynn Ahrens wrote the music and lyrics for the musical “Ragtime,” an American epic tracking the intertwining lives of three families in New York at the turn of the 20th century.

Staged at Lincoln Center’s Vivian Beaumont Theater, the musical is in its third run on Broadway — and earned 11 Tony nominations, including for best revival. It’s resonating the most with audiences this time, they said. “Three is the charm,” Ahrens said.

“When we originally did it on Broadway, which was 1998, I think a lot of people, if not most people, were thinking about this piece as a period piece,” Flaherty said. “I think now, people are responding to it as a contemporary story.”

Adapted from the 1975 novel by E.L. Doctorow, the show’s book is by the late playwright Terrence McNally. It depicts a wide swath of the American experience in New York at the turn of the 20th century, from Black Americans in Harlem to Jewish immigrants on the Lower East Side to the white upper-class residents of the suburbs of Westchester County.

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The story that unfolds is fiction, but features historical figures like activist Emma Goldman, educator and leader Booker T. Washington, banker J.P. Morgan, auto founder Henry Ford and illusionist Harry Houdini. The show’s breadth — encompassing immense tragedy as well as great optimism — and the depth of the actors’ performances has been bringing Broadway audiences to their feet, often mid-act.

It also has people returning. “They’re like, ‘I’m coming back with my parents,’ ‘I’m coming back with my grandchildren,’ ‘I’m coming back with my grandparents,’ and it’s not even like they have to see it. They want to experience it with them,” said Brandon Uranowitz, who had his own return to the show, decades after he acted as a child in the pre-Broadway production.

Now, he’s nominated for best lead actor in a musical for playing the role of Tateh, a Jewish immigrant from Latvia. “I think it’s sort of speaking to this generational reckoning that we’re having with America and our national identity.”