[Source: Reuters]

The Venice Biennale said it would challenge a European Union decision to withdraw a €2 million ($2.3 million) grant in response to the return ​of Russia to its 2026 edition.

The event — one of the world’s top ‌cultural events featuring international exhibitions in art, architecture, cinema, dance, music and theatre — has been at the centre of a political and media storm since March, when organisers announced that Russia would ​be allowed to reopen its pavilion in Venice for the first time ​since Moscow’s invasion of Ukraine in 2022.

The Italian government sharply criticised ⁠the move, while the European Commission warned it would suspend or terminate funding ​worth €2 million if the Russian pavilion returned.

The Biennale’s organisers said on Tuesday the decision ​by the European Education and Culture Executive Agency (EACEA) had long been anticipated and that they would “assert our rights in all competent authorities” to contest the move.

The European Commission confirmed earlier on Tuesday ​that it had decided to revoke the funding following legal advice and a ​recommendation from Brussels.

“Cultural events financed with European taxpayers’ money should safeguard democratic values and promote dialogue, ‌diversity ⁠and freedom of expression, values that are not respected in present-day Russia,” said Commission spokesperson Thomas Regnier, according to Italian media.

The Biennale rejected the links, noting that the grant co-financed projects run by its cinema department which “have nothing to do with Russia’s ​participation”.

“The measure has ​no significant impact ⁠on the budget, accounts or planned and ongoing activities of La Biennale di Venezia, which remain confirmed,” it added.

Biennale President Pietrangelo ​Buttafuoco defended the decision not to block Russia’s return, describing ​the festival ⁠as “a space of coexistence for the whole planet” without censorship.

Even so, when the exhibition opened in May, visitors were allowed inside the Russian pavilion only during four days of press ⁠previews. ​

For the remainder of the six-month event, access ​to the building is restricted, with visitors viewing video projections on its exterior walls while live music filters ​out from the windows.